Incidental moments entered originally into my Facebook page:
New Orleans: walking home on an evening in the low 70s at the end of February to the sound of a kid in his backyard trying to work out "When The Saints Go Marching In" on a trumpet. His problem parts remind me of when my voice was changing...Tim and Minoo biked by the hospital Wednesday evening, when I discovered that I had to remain under observation overnight. They even biked the mile back to my place to pick up a few things for me. In the morning Minoo gave me a ride home and then in the evening they brought a giant portion of a homemade soup for me (enough for two very full meals) before running off to their evening plans. Then Sarah dropped by, not having known that I'd just had the next step of the reconstruction, and despite my warnings about how I looked, insisting that she really didn't care. As I then wrote after she left:
Something I've never seen before: there's students playing Quidditch on the quad.
Student email today: "Professor Novak, Today i have to venture across the lake to help my grandma and family with a sort of tedious moving project and im not sure ill be back in time for class. I hope my absence wont horribly affect my grade. I plan on geting all of the missed material from a classmate." My minimalist response: "The 'material' today was your Midterm Exam."
Students taking my Midterm were disturbed a little while ago by the sound of chains rattling in the back corner of the room. We all looked: nothing there. (I've no idea: something in the next room? Workers on the roof? Who knows?) I resolved the moment by (loudly) mumbling "Damn ghosts!" Everyone laughed lightly and returned to their work. At which point an inexplicable whooshing/moaning sound was heard in the same quarter. "Sorry! Sorry!"
New Orleans: out grading exams on my porch, taking advantage of the extra hour of daylight, when a giant, overstuffed 4x4 truck pulls to a stop at the corner in front of my house. And out of its equally-overstuffed stereo system comes the sound of... quiet piano jazz.
I am *ugly.* I mean, post-flap-surgery, I look like the Elephant Man chewed up by Jaws and spit back out. I'm still patched, bloody and oozy, dramatically disfigured, not allowed to bathe until tomorrow, and never felt more gross in my life. So there's something wonderfully freeing in having one of the most beautiful people you know drop by for a spontaneous dinner, and her spending the next several hours looking you in the face, talking and laughing, and amazed that you would think she'd be bothered by your half-digested state. And this too is grace.We toasted Anne Marie, in intention, at least, tonight when I treated Sarah to a sampling run of the milk, white, and dark chocolates Anne Marie had sent me from Fortnum and Mason's in London, and we bemoaned my lame lack of having any wine in the house as the dark chocolate *really* wanted it. So many levels of taste in that one, which I was actually only opening now for the first time. So she enjoyed my description of Anne Marie and of our unexpected correspondence/friendship with someone met in passing 15 years earlier, and Sarah opined that I had really lucked out in benefiting from her class and generosity with this care package.
Anne Marie had mentioned in a note yesterday that it was a bit of a relief in its own way to talk music (when we talked music) with a contemporary as it's sometimes disconcerting to talk to younger friends who just didn't experience all the music you take for granted. That made me laugh with it's timeliness in that Sarah and I were comparing some musical playlists tonight at one point on our iPhones, and I was showing her these "Fun Mixes" that I've made for the nieces as they turn five or so: "The Grace Fun Mix," "The Haley Fun Mix," and, now in final editing stage, "The Sophie Fun Mix." All music chosen to be just pure fun, but also for the purpose of educating me nieces beyond the dance music and top-40 that their friends will probably tend to play. And to see the hit-or-miss reactions on Sarah's face to knowing some of the 80s stuff well (like she recognized Eddy Grant's "Electric Avenue" immediately) but then drawing a complete blank on others, like the Cure's "Just Like Heaven." I, on the other hand, got introduced to some sort of wildly-timed electronica tonight whose genre name I've already forgotten. [Dubstep!] As with talking youthful musical crushes with Chris Bauer the other night, and my speaking of Natalie Merchant, I now had to explain to Sarah who Diana Rigg was, and why I had a framed photograph of her.
Other than that, just rich, fun talk all evening: we talked some business about the stained-glass window project we're working on together; some of her thoughts in leaning toward a more commercial artistic career, switching from a BFA to a BA; her breaking the school record in the 400m the other day, only to have it not count on a technicality, and the ongoing strangeness of her professional trainer working with her in the midst of the New Orleans Saints; teaching and the (especially in high school) delicate phenomenon of becoming friends with students, and the distinct role of the high school Theology teacher as a kind of mentor or spiritual guide; family; looking back in life and not feeling too concerned with Roads Not Taken; the difficulty of trusting God when trusting God truly becomes difficult, or how it seems the way I relate to God has changed over the years. Then it was time for her to get going as she had a much busier Friday coming up than I did. A much more enjoyable evening that I expected I would have.