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Errantry: Novak's Journal
...Words to cast/My feelings into sculpted thoughts/To make some wisdom last
Theological Notebook: Obituaries for Madeleine L'Engle: NYT, Her Website, and National Review 
8th-Sep-2007 09:45 pm
John Duncan/St. Bride
As New York City was a perennial setting – or even character – in her writing, I make a point of including here The New York Times obituary for Madeleine L'Engle. I also add her website's brief obituary.

Madeleine L’Engle, Writer of Children’s Classics, Is Dead at 88
By DOUGLAS MARTIN
Published: September 8, 2007
The New York Times

Madeleine L’Engle, who in writing more than 60 books, including childhood fables, religious meditations and science fiction, weaved emotional tapestries transcending genre and generation, died Thursday in Connecticut. She was 88.

Her death, of natural causes, was announced today by her publisher, Farrar, Straus and Giroux.

Ms. L’Engle (pronounced LENG-el) was best known for her children’s classic, “A Wrinkle in Time,” which won the John Newbery Award as the best children’s book of 1963. By 2004, it had sold more than 6 million copies, was in its 67th printing and was still selling 15,000 copies a year.

Her works — poetry, plays, autobiography and books on prayer — were deeply, quixotically personal. But it was in her vivid children’s characters that readers most clearly glimpsed her passionate search for the questions that mattered most. She sometimes spoke of her writing as if she were taking dictation from her subconscious.

“Of course I’m Meg,” Ms. L’Engle said about the beloved protagonist of “A Wrinkle in Time.”

The “St. James Guide to Children’s Writers” called Ms. L’Engle “one of the truly important writers of juvenile fiction in recent decades.” Such accolades did not come from pulling punches: “Wrinkle” is one of the most banned books because of its treatment of the deity.

“It was a dark and stormy night,” it begins, repeating the line of a 19th- century novelist Edward George Bulwer-Lytton, and presaging the immortal sentence that Snoopy, the inspiration-challenged beagle of the Peanuts cartoon, would type again and again. After the opening, “Wrinkle,” quite literally, takes off. Meg Murray, with help from her psychic baby brother, uses time travel and extrasensory perception to rescue her father, a gifted scientist, from a planet controlled by the Dark Thing. She does so through the power of love.

The book used concepts that Ms. L’Engle said she had plucked from Einstein’s theory of relativity and Planck’s quantum theory, almost flaunting her frequent assertion that children’s literature is literature too difficult for adults to understand. She also characterized the book as her refutation of ideas of German theologians.

In the “Dictionary of Literary Biography,” Marygail G. Parker notes “a peculiar splendor” in Ms. L’Engle’s oeuvre, and some of that splendor is sheer literary range. “Wrinkle” is part of her series of children’s books, which includes “A Wind in the Door,” “A Swiftly Tilting Planet,” “Many Waters” and “An Acceptable Time.” The series combines elements of science fiction with insights into love and moral purpose that pervade Ms. L’Engle’s writing.

Ms. L’Engle’s other famous series of books concerned another family. The first installment, “Meet the Austins,” which appeared in 1960, portrayed an affectionate family whose members displayed enough warts to make them interesting. (Perhaps not enough for The Times Literary Supplement in London, though; it called the Austins “too good to be real.”)

By the fourth of the five Austin books, “A Ring of Endless Light,” any hint of Pollyanna was gone. Named a Newbery Honor Book in 1981, it told of a 16-year-old girl’s first experience with death. Telepathic communication with dolphins eventually helps the girl, Vicky, achieve a new understanding of things.

“The cosmic battle between light and darkness, good and evil, love and indifference, personified in the mythic fantasies of the ‘Wrinkle in Time’ series, here is waged compellingly in its rightful place: within ourselves,” Carol Van Strum wrote in The Washington Post in 1980.

Madeleine L’Engle Camp was born in Manhattan on the snowy night of Nov. 29, 1918. The only child of Madeleine Hall Barnett and Charles Wadsworth Camp, she was named for her great-grandmother, who was also named Madeleine L’Engle.

Young Madeleine’s mother came from Jacksonville, Fla., society and was a fine pianist; her father was a World War I veteran who worked as a foreign correspondent and later as drama and music critic for The New York Sun. He also knocked out potboiler novels.

The family lived on the Upper East Side of Manhattan; her parents had artistic friends, Madeleine an English nanny. She felt unpopular at school. She recalled that an elementary school teacher – Miss Pepper or Miss Salt, she couldn’t remember which — treated her as if she were stupid.

She had written her first story at 5 and retreated into writing. When she won a poetry contest in the fifth grade, her teacher accused her of plagiarizing. Her mother intervened to prove her innocence, lugging a stack of her stories from home.

When she was 12, she was sent to a boarding school in Switzerland, Chatelard, and at 15 to Ashley Hall, a boarding school in Charleston, S.C. She graduated from Smith College with honors in English. (She took no science, often a surprise to readers impressed with her science fiction.)

Returning to New York, Ms. L’Engle began to get small acting parts. She wrote her first novel, “The Small Rain,” in 1945 and had several plays she wrote produced.

She met the actor Hugh Franklin when both were appearing in a production of Chekhov’s “The Cherry Orchard.” They married in 1946, and their daughter Josephine was born the next year. In 1951, when Ms. L’Engle became pregnant again, they moved to the small town of Goshen, Conn., where they bought and ran a general store. Their son, Bion, was born in 1952, and in 1956 they adopted another daughter, Maria.

Mr. Franklin died in 1986 and Bion in 1999. Ms. L’Engle is survived by her daughters, Josephine F. Jones and Maria Rooney; five grandchildren; and five great-grandchildren.

Ms. L’Engle’s writing career was going so badly in her 30s that she claimed she almost quit writing at 40. But then “Meet the Austins” was published in 1960, and she was already deeply into “Wrinkle.” The inspiration came to her during a 10-week family camping trip.

That was just the start. She once described herself as a French peasant cook who drops a carrot in one pot, a piece of potato in another and an onion and a piece of meat in another.

“At dinnertime, you look and see which pot smells best and pull it forward,” she was quoted as saying in a 2001 book, “Madeleine L’Engle (Herself): Reflections on a Writing Life,” compiled by Carole F. Chase.

“The same is true with writing,” she continued. “There are several pots on my backburners.”

Her deeper thoughts on writing were deliciously mysterious. She believed that experience and knowledge are subservient to the subconscious and perhaps larger, spiritual influences.

“I think that fantasy must possess the author and simply use him,” she said in an interview with Horn Book magazine in 1983. “I know that is true of ‘A Wrinkle in Time.’ I cannot possibly tell you how I came to write it. It was simply a book I had to write. I had no choice.

“It was only after it was written that I realized what some of it meant.”

What turned out to be her masterpiece was rejected by 26 publishers. Editors at Farrar, Straus and Giroux loved it enough to publish it, but told her that she should not be disappointed if it failed.

The family moved back to New York, where Hugh Franklin won fame as Dr. Charles Tyler on the popular soap opera “All My Children.” For more than three decades, starting in 1966, Ms. L’Engle served as librarian and writer-in-residence at the Cathedral Church of St. John the Divine. One or two of her dogs often accompanied her to the cathedral library.

Much of her later work was autobiographical, although sometimes a bit idealized; she often said that her real truths were in her fiction. Indeed, she discussed her made-up stories the way a newspaper reporter might discuss his latest article about a crime.

When her son, then 10, protested the death of Joshua in “The Arm of the Starfish” (1965), she insisted that she could not change the tale, which was still unpublished at the time.

“I didn’t want Joshua to die, either,” Ms. L’Engle said in 1987 in a speech accepting the Margaret Edwards Award from the American Library Association for lifetime achievement in writing young adult literature, one of scores of awards she received.

“But that’s what happened. If I tried to change it, I’d be deviating from the truth of the story.”

Her characters continued living their lives even if she hadn’t mentioned them for decades. She had gotten word that Polly O’Keefe, who appeared in three books of the “Time Fantasy” series, was in medical school, she said a few months before the library speech.

A woman wrote her to say that she herself was a first-year medical student at Yale and that she would love to have Polly in her class. Ms. L’Engle said fine, and the student went to the registrar’s office to sign up Polly as an “official” Yale medical student.

“Why does anybody tell a story?” Ms. L’Engle once asked, even though she knew the answer.

“It does indeed have something to do with faith,” she said, “faith that the universe has meaning, that our little human lives are not irrelevant, that what we choose or say or do matters, matters cosmically.”


And from her website:

Madeleine L'Engle Camp Franklin, 88, of Goshen, CT and New York City, died Thursday, September 6th. Born November 29, 1918, in New York City, to Charles Camp and Madeleine Barnett Camp, she was educated in Switzerland and South Carolina, before graduating from Smith College. She was the author of over 60 books, including the award-winning A Wrinkle in Time.

She is survived by her two daughters, Josephine Jones of Goshen, CT and Maria Rooney and her husband John of Mystic, CT; her five grandchildren, Madeleine Jones Roy and her husband Rob, Charlotte Jones Voiklis and her husband John, Edward Jones, Bryson Rooney, all of New York City, and Alexander Rooney, of Mystic CT; and five greatgrandchildren, Kosta and Magda Voiklis, and Cooper, Finn, and Scarlett Roy. She was preceded in death by her husband, Hugh Franklin, and her son, Bion Barnett Franklin.

She was a warm, loving and fun mother, grandmother and friend, who will be missed by many. Her influence will live on in her family and many friends, and in her books which have brought countless delight to all who have read them.

There will be a service on Saturday, September 15th, 2pm, at the Church of Christ, Goshen, CT, and a later public memorial service around her birthday, the actual date to be decided, at the Cathedral of St. John the Divine, New York City.
In lieu of flowers, a memorial gift may be made to Crosswicks Foundation, Ltd, 924 West End Ave, apt 95, New York, New York, 10025. This is just an option, and we encourage you to honor her memory in any way you choose.

Read a banned book



Madeleine L'Engle at Home
John Podhoretz
National Review
Friday, September 07, 2007

You know her as the author of A Wrinkle in Time — possibly the best and most memorable young person's novel written in the United States since World War II. If you're lucky, you read or sampled a dozen or more of the 60-odd books she wrote for children and adults before passing away on Thursday at the age of 88.

Madeleine L'Engle was our neighbor growing up. She lived on the 9th floor at 924 West End Avenue in apartment 95; we lived on the 6th floor in apartment 65. There was one elevator for this line of apartments and therefore everybody in them came to know each other quite well, especially since the elevator had a habit of breaking down and trapping a few of us in it for 20 minutes at a time.

As a young boy, I knew her as the kind-faced and friendly woman with the two fluffy big nice dogs (in contrast to the constantly barking and lunging German Shepherds who lived on 12 and scared the bejeezus out of me and everybody else). Then, when I was 9 or 10, I read A Wrinkle in Time and my sister Naomi told me offhandedly that she was its author.

I wrote her the first fan letter of my life and, heart pounding, rode the elevator to 9 and slipped it under her door. Within hours a package was left at our door with an inscribed copy of its recently published sequel, A Wind at the Door, a box of baked chocolate chip cookies, and a response that was so appreciative I could hardly believe it, it was so gracious and thoughtful. I had grown up with writers whose friends were all writers and one thing I had learned even at that ludicrously tender age is that saying anything to any author about his or her work is to enter into an emotional minefield.

Madeleine had sold more copies of her work than any of my parents' friends, and probably had received more fan mail than any of them, but her letter had a tone of delight to it that not only suggested she understood how to write to a child, but also that she had about her an almost supernatural grace — suitable to someone who was a very serious churchgoing Episcopalian and the author of several novels for adults about the difficulties and joys of faith. I was particularly taken with The Love Letters, in which a young woman finds herself absorbed in the story of St. Teresa of Avila.

These were books I read the old-fashioned way — by finding them haphazardly at public libraries around New York over the years of my boyhood and adolescence. I would have 15 second discussions of them with her in the elevator as we traveled down or up. I was slightly abashed to be speaking so gushingly, and I think she sensed that and always made it seem as though I had made her day or her week.

Her late husband, Hugh Franklin, was as lovely as she — a working actor on soap operas and in theater around New York who would leave tickets at the box office for me whenever he was performing. This, needless to say, is not something most actor neighbors in New York would do.

My parents moved out of 924 West End Avenue in 1979, and I never saw Madeleine after that. But I still read her — she wrote a moving account of her marriage in a book called Two Part Invention that she published after Hugh's death in 1986. And I still knew she was around, still serving as the writer in residence at the Cathedral of St. John the Divine on 111th and Amsterdam — a New York landmark that appeared in several of her books set in our Upper West Side neighborhood.

So for those who were moved and affected by A Wrinkle in Time, or the Austins books, or her trilogy of memoirs about faith, I just wanted you to know that their author was a wonderful neighbor, a wonderful person, and a model of social and personal grace. I was profoundly lucky to have had the chance to spend time with her in an elevator that kept breaking down.
Comments 
9th-Sep-2007 03:10 am (UTC)
thanks for posting this ,good to
see a good photo of her. a couple of
times I atteneded her all angels epsicopal
church on the west side(a charismatic oriented
parish with a praise band and altar service
after eucharist ) and saw her from a
distance there.
12th-Sep-2007 04:14 am (UTC)
Yes, I liked this photo as well. I hadn't heard about the orientation of All Angels – thanks for describing that for me.
9th-Sep-2007 03:45 am (UTC)
I saved this to my hard drive when I first read it, as it makes me think about other ways to approach my true/false class.
12th-Sep-2007 04:14 am (UTC)
How so? I'd be interested to hear that one.
12th-Sep-2007 12:17 pm (UTC)
Any number of reasons. This bit immediately sprang to my attention:
Much of her later work was autobiographical, although sometimes a bit idealized; she often said that her real truths were in her fiction. Indeed, she discussed her made-up stories the way a newspaper reporter might discuss his latest article about a crime.

When her son, then 10, protested the death of Joshua in “The Arm of the Starfish” (1965), she insisted that she could not change the tale, which was still unpublished at the time.

“I didn’t want Joshua to die, either,” Ms. L’Engle said in 1987 in a speech accepting the Margaret Edwards Award from the American Library Association for lifetime achievement in writing young adult literature, one of scores of awards she received.

“But that’s what happened. If I tried to change it, I’d be deviating from the truth of the story.”

So there's the sense of an author who is deeply-invested in guiding her readers to truth through fiction, for one, and who (like Jane Austen before her) believed her characters had continuing lives after the end of their presence in her books.

Then, later, a woman on my flist said, "Did you know I included farandolae in a 5th grade project on cells, because I didn't realize she'd made them up?" -- there's something amazing about the testimonials to L'Engle's influence, in these ways and in others.
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